Download e-book for iPad: Contested Symmetries and Other Predicaments in Architecture by Preston Scott Cohen

By Preston Scott Cohen

ISBN-10: 156898250X

ISBN-13: 9781568982502

Architect Preston Scott Cohen combines using the main complicated electronic modeling applied sciences with a fascination for seventeenth century descriptive geometry. He makes use of wide-spread types distorted through indirect projections and related units to create complicated designs that problem our preconceptions concerning the nature of order in architecture.

Contested Symmetries and different Predicaments in Architecture positive factors Cohen's tricky summary geometries and lucidly describes either the mechanics and the speculation in the back of their software. A wealth of initiatives, together with the commonly acclaimed Torus residence, are represented via drawings, types, and computer-generated photographs.

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Additional info for Contested Symmetries and Other Predicaments in Architecture

Example text

This angle produces elliptical intersections B”1 and B”2 congruent in their eccentricity with one another as well as with the squashed room. Resulting from this transformation are embrasures a’, c’, and d’. An Additional Assumption Once an elliptical intersection falls into line with a row of windows, it is assumed to be locked to that row. Either ellipse or row may move laterally provided that the other moves along with it. Upon the proportional adjustment of the sacristy interior, the arcuated and rectangular windows as well as B”1 and B”2 require rows 11 through 15 to shift in order to bring Diagram 4: A Failed Attempt As an alternative, embrasure a’ could rotate sharply toward the corner and create an ellipse A” congruent with B”1, and B”2, while c’ could rotate away from the corner and create congruent ellipse C”.

Though the tube is arguably rare (there are no known comparable examples) it is not due to its spectacularity but to the way in which it ingeniously overcame the binding limits of a system of form by concealing itself within it. In this way it is more like natural and other artificial wonders of the seventeenth century than it is wondrous as architecture. 5 (fig. 6 The tube is not primarily a response to function, but instead to the necessity for the classical language to adapt. Fortuitously, as the classical language mutates in the sacristy, the tube transmits even stealthier and more beautifully diffuse light than would a more conventional embrasure.

The conic embrasure is entirely speculative (fig. 15). 17 c Pilaster 1 pilaster 2 Pilaster 1 B'2 45o pilaster 3 45o pilaster 3 C 17 16 15 14 pilaster 2 13 12 11 10 9 8 7 6 5 4 3 2 1 d B 17 16 15 B'1 14 A 13 12 11 10 9 8 7 6 5 4 3 2 b' 1 92o c a d a b A C 45o 45o Diagram 1: A Three Part Hypothesis The following investigation begins with the assumption that an anomaly in architecture—a tube serving as a passage for light—can be effectively explained by hypothetical organizational structures that are interlocked and altered in response to multiple inconsonant demands.

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Contested Symmetries and Other Predicaments in Architecture by Preston Scott Cohen


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