By Helmar Schramm, Ludger Schwarte, Jan Lazardzig
This quantity launches a brand new, eight-volume sequence entitled Theatrum Scientiarum at the historical past of technology and the media which has arisen from the paintings of the Berlin detailed learn undertaking on "Performative Cultures" lower than the aegis of the Theatre stories division of the loose collage. the amount examines the position of area within the structure of information within the early sleek age. "Kunstkammern" (art and curiosities cabinets), laboratories and phases arose within the seventeenth century as tools of study and illustration. there's, even if, nonetheless an absence of distinct descriptions of the epistemic contribution made via fabric and immaterial house within the functionality of information. hence, the authors current a unique view of the stipulations surrounding the construction of those spatial types. Account is taken either one of the institutional framework of those areas and their placement in the heritage of rules, the architectural versions and the modular differentiations, and the clinical outcomes of specific layout judgements. Manifold paths are among the positioning of the observer within the representational area of technological know-how and the association in time and area of sight, speech and motion within the canon of ecu theatrical types. not just is an account given of the mutual architectural and highbrow effect of the areas of information and the functionality areas of artwork; also they are analyzed to envision what used to be attainable in them and during them. This quantity is the English translation of Kunstkammer, Laboratorium, B?hne (de Gruyter, Berlin, 2003).
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Additional info for Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century (Theatrum Scientiarum: English Edition) (Theatrum Scientiarum: English Edition)
Berlin: Kulturverlag Kadmos. 102-19. Space: The Final Frontier 5 difference from the latter is, again, that situated robotics is not philosophy, it does not depend on introspection about bodily experience. It involves the construction of performative machines, machines that visibly act in the world. This robotics is a science of space that thematises space as interactively explored, rather than given – by humans or machines. 8 This raises the fascinating possibility of pursuing ontological arguments at the level of engineering rather than words – let the robots fight it out.
Over long periods of time, the Theatrum Europaeum collects without comment such projection reports and categorizes them. As with the Instrument-, Kunst- and Wunderkammern, in the long sustained process of collecting, real series are produced. 41 42 43 “hat ein Soldat auff der Steig in Plünden einen überauß grossen Adler in vollem Flug geschossen/ daß er auff ei Schiltwaechter Haeusslein todt herunder gefallen; dessen Flügel aufgespannt waren bey 9. Werckschuch lang/ die klawen waren schoen Blaw und ueberauß groß.
Vol. 3. Hamburg: Meiner, 1996. 509-38. Kunstkammer – Laboratory – Theater in the ‘Theatrum Europaeum’ 31 sing process. The alchemists’ fire in a treatise from 1702 is converted into a “Fegefeuer des Scheidekunst” (lit. “purgatiorial fire of the craft of separation”)49 which should serve to cleanly divide and categorize the labyrinth of texts. Similar developments take place in the area of the theater. Secret, paradox, spontaneous physical sides of theatrical culture are systematically excluded under the influence of the enlightenment.
Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century (Theatrum Scientiarum: English Edition) (Theatrum Scientiarum: English Edition) by Helmar Schramm, Ludger Schwarte, Jan Lazardzig