Christopher Hight's Architectural Principles in the Age of Cybernetics PDF

By Christopher Hight

ISBN-10: 0203086562

ISBN-13: 9780203086568

ISBN-10: 0415384818

ISBN-13: 9780415384810

A theoretical background of anthropomorphism and share in sleek structure, this quantity brings into concentration the discourse round percentage with present difficulties of post-humanism in structure along the hot probabilities made on hand via electronic applied sciences.

The publication examines how the physique and its ordering has served as a primary web site of architectural discourse in contemporary many years, specifically in makes an attempt to reformulate architecture’s courting to humanism, modernism and know-how. not easy a few recommendations and different types of architectural historical past and situates present debates inside a broader cultural and technological context, Hight makes advanced rules simply accessible.

Extensively illustrated and written with out educational jargon for an educated yet non-specialized architectural viewers, this booklet elucidates the usually imprecise debates of avant-garde architectural discourse and layout, whereas demonstrating how those debates have affected daily areas and ideas of structure. consequently, it's going to entice specialist architects, lecturers and scholars, combining because it does an insightful creation to the basic problems with architectural background and concept over the last fifty years with completely new formulations of what that background is and ability.

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Extra info for Architectural Principles in the Age of Cybernetics

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Lynn related this concept to Panofsky’s thesis in “The History of the Theory of the Proportions as a Reflection of the History of Styles,” which argued that the “monstrous” quality of the so-called Berlin sphinx was due to the incommensurable proportioning systems of its lion, human, and the figure of a goddess carved into the sphinx’s chest. 29 Such a closed regime excludes non-whole organizations and geometric possibilities; other systems of order appear simply as disordered noise (chaos), or misshapen monsters.

This means of course, that they find plenty of what apparently was lost when they turn their attention to more recent works. In turn, we must question not only the grounds upon which they define modernity as a break with the Western tradition of the body, but also the usefulness of this tradition itself and its historical armature. The crisis of modern science, its erosion of a meaningful figurative architecture, is a phantasmagoria for those who take pleasure living in the tomb of Architecture they construct.

Juan Luis Vives, Fabula de homine, c. 1 Greg Lynn FORM, drawing comparing composite and spline curves, Animate Form, 1999. Copyright Greg Lynn FORM; courtesy Greg Lynn FORM. At the same time as the phenomenological position was developed, poststructuralism, deconstruction, critical theory and psychoanalysis began to be mined by designers and theorists. These “post-structuralists” do not necessarily share a common “style” or define a school of thought, nor is it my intention to conflate divergent positions.

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Architectural Principles in the Age of Cybernetics by Christopher Hight

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